Архитектура и иконография. «Тело символа» в зеркале классической методологии - С. Ванеян
Шрифт:
Интервал:
Закладка:
4. Te Art of Art History: a Critical Anthology. Donald Preziosi (ed.) Oxford, 1998.
5. Bätschmann, Oskar. Einführung in die kunstgeschichtliche Hermeneutik. Die Auslegung von Bildern. Darmstadt, 1992.
6. Bazin, Germain. Histoire de l’histoire de l’art: de Vasari à nos jours. Paris, 1986 (русск. пер.: М., 1995).
7. Belting, Hans. Te End of the History of Art? [Das Ende der Kunstgeschichte?]. Chicago, 1987.
8. Belting, Hans; Dilly, Heinrich; Kemp, Wolfgans; Sauerländer, Willibald; Warnke, Martin (Hrsg.). Kunstgeschichte. Eine Einführung. Berlin, 1990.
9. Belting, Hans; Dilly, Heinrich und Kemp, Wolfgang. Kunstgeschichte. Eine Einführung. Berlin, 2003.
10. Bogen, Stefen; Brassat, Wolfgang und Ganz, David. Bilder – Räume – Betrachter. Köln, 2006.
11. Brassat, Wolfgang und Kohle, Hubertus. Methoden-Reader Kunstgeschichte. Köln, 2003.
12. Dilly, Heinrich. Kunstgeschichte als Institution: Studien zur Geschichte einer Disziplin. Frankfurt am Main, 1979.
13. Frankl, Paul. Das System der Kunstwissenschaf [1938]. Berlin, 1998.
14. Fruh, Clemens; Rosenberg, Raphael; Rosinski, Hans-Peter. Kunstgeschichte – aber Wie? Zehn Temen und Beispiele. Berlin, 1990.
15. Gombrich, Ernst. «Kunstliteratur». Atlantisbuch der Kunst: eine Enzyklopädie der bildenden Künste. Zürich, 1952. P. 665-679 (англ. пер.: «The Literature of Art». Translated by Max Marmor // Art Documentation, 11. No. 1, Spring 1992).
16. Gooch, G. P. History and Historians in the Nineteenth Century. 2nd edition. New York, 1952.
17. Gowan, James. Style and Confguration. New York, 1994.
18. Histoire de l’histoire de l’art: cycles de conférences organisés au musèe du Louvre par le Service culturel, du 10 octobre au 14 novembre 1991 et du 25 janvier au 15 mars 1993. Pommier, Edouard (ed.), 2 vols. Paris, 1995-1997.
19. Imdahl, Max. Giotto. Arenafresken. Ikonographie – Ikonologie – Ikonik. Stuttgart, 1996.
20. Jahn, Johannes (ed.) Die Kunstwissenschaf der Gegenwart in Selbstdarstellungen. Bd. 1-2. Leipzig, 1924.
21. Jencks, Charles. What is Post-Modernism? London, 1986.
22. Johnson, W. McAllister. Art History: Its Use and Abuse. Toronto, 1988.
23. Kaufmann, Georg. Die Entstehung der Kunstgeschichte im 19. Jahrhundert. Opladen, 1993.
24. Kemp, Wolfgang. Der Betrachter ist im Bild. Kunstwissenschaf und Rezeptionsästhetik. Berlin, 1992.
25. Kleinbauer, W. Eugene. Modern Perspectives in Western Art History: An Anthology of 20th-Century Writings on the Visual Arts. New York, 1971.
26. Kleinbauer, W. Eugene. Research Guide to the History of Western Art. Sources of Information in the Humanities. No. 2. Chicago, 1982.
27. Köhler, Helmut. Strukturale Bildlichkeit. Studien zum Begrif der Struktur in der Kunstgeschichte. München, 1984.
28. Kopp-Schmidt, Gabriele. Ikonographie und Ikonologie. Köln, 2004.
29. Kultermann, Udo. Geschichte der Kunstgeschichte: Der Weg einer Wissenschaf. Wien-Düsseldorf 1966]. 2nd ed., Frankfurt am Main – Wien, 1981.
30. Kultermann, Udo. Kleine Geschichte der Kunsttheorie. Darmstadt, 1987.
31. Kunsthistoriker in eigener Sache. Zehn autobiographische Skizzen. Martina Sitt (Hrsg.). Berlin, 1990.
32. Lavalleye, Jacques. «Histoire de l’histoire de l’art» // Encyclopédie de la Pléiade: Histoire de l’Art. vol. 4. Paris, 1969. P. 1320-1366.
33. Locher, Hubert. Kunstgeschichte als historische Teorie der Kunst 1750-1950. München, 2001.
34. Lützeler, Heinrich. Kunsterfahrung und Kunstwissenschaf: systematische und entwicklungsgeschichtliche Darstellung und Dokumentation des Umgangs mit der bildenden Kunst. Bd. 1-3. Freiburg i. Br., 1975.
35. Minor, Vernon Hyde. Art History’s History. New York, 1994.
36. Moxey, Keith and Holly, Michael Ann. Art History, Aesthetics, Visual Studies. New Haven – London, 2003.
37. Te New Art History. A. L. Rees and F. Borzello (eds.). New York, 1988.
38. Panofsky, Erwin. «The History of Art» In Te Cultural Migration: Te European Scholar in America. Introduction by W. Rex Crawford. P. 82-111. Philadelphia, 1953 [rep.: «Three Decades of Art History in the United States», in Meaning in the Visual Arts, 321-346. Garden City (NY), 1955 (русск. пер.: СПб., 1999).
39. Pakesch, Peter. Abbild: Recent Portraiture and Depiction. Princeton, 2002.
40. Pfsterer, Ulrich; Zimmerman, Anja. Animationen/Transgressionen. Das Kunstwerk als Lebewesen. Berlin, 2005.
41. Podro, Michael. Te Critical Historians of Art. New Haven – London, 1982.
42. Prager, Brad. Aesthetic Vision and German Romanticism: Writing Images. Rochester (NY), 2006.
43. Preziosi, Donald. Rethinking Art History: Meditations on a Coy Science. New Haven – London, 1989.
44. Prochno, Renate. Das Studium der Kunstgeschichte. Eine praxisorientierte Einführung. Berlin, 2003.
45. Rebeyrol, P. «Art Historians and Art Critics» [series] // Burlington Magazine, 44 June (1952). P. 196f.
46. Rotberg, Robert I. and Rabb, Teodore K. Art and History: Images and Teir Meaning. Cambridge (Mas.), 1988.
47. Salerno, Luigi. «Historiography» // Encyclopedia of World Art. 7. P. 509-559. New York, 1959-68.
48. Schwarzer, Mitchell. «Origins of the Art History Survey Text» // Art Journal, 54 (Fall 1995). P. 24-29.
49. Schlosser, Julius von. Die Kunstliteratur: Ein Handbuch zur Quellenkunde der neueren Kunstgeschichte. Wien, 1924.
50. Schlosser, Julius von. «Stilgeschichte» und «Sprachgeschichte» der bildenden Kunst // Sitzungberichte der Bayerischen Akademie der Wissenschaf. Philos.-hist. Abteilung, 1935, Hef 1.
51. Schmarsow, August. Grundbegrife der Kunstwissenschaf am Übergang vom Altertum zum Mittelalter [1902]. Berlin, 1998.
52. Sousslof, Catherine. «Historicism in Art History» // Encyclopedia of Aesthetics, 2. P. 407-12.
53. Springer, Anton. «Kunstkenner und Kunsthistoriker» // Neuen Reich, 11 (1881). S. 737-758.
54. Spruit, Leen. Species Intelligibilis: From Perception to Knowledge: Renaissance Controversies, Later Scholasticism and the Elimination of the Intelligible Species in Modern Philosophy // Brill’s Studies in Intellectual History. Vol. 2. Gronningen, 1995.
55. Straten, Roelof van. Einführung in die Ikonographie. Berlin, 2004.
56. Tiel, Manfred. Enzyklopädie der geisteswissenschaflichen Arbeitsmethoden. Lfg. 6. Methoden der Kunst– und Musikwissenschaf. München – Wien, 1970.
57. Tietze, Hans. Die Methode der Kunstgeschichte. Leipzig, 1913.
58. Waetzold, Wilhelm. Deutsche Kunsthistoriker. 1-2 Bde. [1921-1924]. Berlin, 1986.
59. Wölfin, Heinrich. 1864-1945: Autobiographie, Tagebücher und Briefe. Joseph Ganter (Ed.). Basel, 1984.
60. Women as Interpreters of the Visual Arts, 1820-1979. Contributions in Women’s Studies 18. Sherman, Claire Richter and Holcomb, Adele M. (Eds.). Westport (CT), 1981.
61. Zaunschirm, Tomas. System der Kunstgeschichte. Dissertation der Universität Salzburg, 5 // Verband der wissenschaflichen Gesellschafen Österreichs. Wien 1975.
62. Ванеян С.С. Искусствознание как наука и как поэзия // Русский исторический вестник. № 3.
63. Ванеян С.С. «Возникновение собора» и возрождение науки // Искусствознание. 2/99.
64. Ванеян С.C. Пределы смысла и границы пространства. Проблемы интерпретации архитектуры в искусствоведческой рефлексии переходного периода // Искусство и наука об искусстве в переходные периоды истории культуры. М., 2000. С. 327-346.
65. Россинская Е.И. Новые методы анализа выразительности архитектуры. М., 1981.
66. Славина Т. А. Исследователи русского зодчества. Л., 1983.
67. Славина Т.А. Проблемы исследования в архитектуре. Дисс. д-ра архит. Л., 1985. Т. 1.
68. Ювалова Е.П. О некоторых интерпретациях ранней и высокой готики в современном западном искусствознании // Современное искусствознание Запада о классическом искусстве XIII-XVII вв. М., 1977.
Теория архитектуры в целом
69. Abercrombie, Stanley. Architecture as Art: an Esthetic Analysis. New York, 1986.
70. Ackerman, James S. Origins, Imitation, Conventions: Representation in the Visual Arts. Chicago, 2002.
71. Alexander, Christopher. Te Phenomenon of Life: Nature of Order. An Essay on the Art of Building and the Nature of the Universe, Vol. 1. Toronto, 2004.
72. Ballantyne, Andrew. Architecture Teory: A Reader in Philosophy and Culture. New York – London, 2005.
73. Benjamin, Andrew. Architectural Philosophy: Repetition, Function and Alterity. New York – London, 2000.
74. Benoît Goetz. La Dislocation. Architecture et philosophie. Paris, 2001.
75. Brinette, P. ; Wills D. (eds.). Deconstruction and the Visual Arts: Art, Media, Architecture. Cambridge (Mas.), 1994.
76. Bruyn de, Gerd, Truby, Stephan. Architektur_theorie.doc. Texte seit 1960. Basel – Boston – Berlin, 2003.
77. Capon, Smith David. Architectural Teory. Vol. 1: Te Vitruvian Fallacy: A History of the Categories in Architecture and Philosophy; Vol.2: Le Corbusier’s Legacy – Principles of 20th Century Architectural Teory by Category. New York, 1999.
78. Choay, Francoise. Rule and the Model. Cambridge – London., 1997.
79. Colin St. John Wilson and Roger Stonehouse. Architectural Refections: Studies in the Philosophy and Practice of Architecture. Manchester, 2000.
80. Collins, Peter. Architectural Judgement. Toronto, 1971.
81. Cook, Peter Bettella, Andrea (Ed). Te Paradox of Contemporary Architecture: the Lowe Lectures. London, 2003.
82. Davidson, Cynthia (ed.). Anybody. Cambridge (Mas.), 1997.
83. Davidson, Cynthia (ed.). Anyhow. Cambridge (Mas.), 1998.
84. Davidson, Cynthia (ed.). Anymore. Cambridge (Mas.), 2000.
85. Davidson, Cynthia (ed.). Anyplace. Cambridge (Mas.), 1995.
86. Davidson, Cynthia (ed.). Anytime. Cambridge (Mas.), 1999.
87. Davidson, Cynthia (ed.). Anything, Cambridge (Mas.), 2001.
88. Davidson, Cynthia (ed.). Anyway. New York, 1994.
89. Davidson, Cynthia (ed.). Anywhere. New York, 1993.
90. Davidson, Cynthia (ed.). Anywise. Cambridge (Mas.), 1996.
91. Diani, Marco (Ed.); Ingraham, Catherine A. (Ed.). Restructuring Architectural Teory. Evanson (Ill.), 1989.
92. Dripps, R. D. Te First House Myth. Paradigm and the Task of Architecture. Cambridge (Mas.), 1999.
93. Evans, Robin. Translations from Drawing to Building and Other Essays. Princeton, 1996.
94. Foster, Michael (ed.). Architecture. Style, Structure and Design. London, 1982.
95. Gelerntner, Mark. Sources of Architectural Form: a Critical History of Western Design Teory. Manchester, 1995.
96. Gidion, Sigfried. Space, Time and Architecture. Cambridge (Mas.), 1941 (сокр. русск. пер.: М., 1975).
97. Gins, Madeline, «Arakawa». Architectural Body. Tuscaloosa (Alabama), 2002.
98. Gregotti, Vittorio. Inside Architecture. Cambridge (Mas.), 1996.
99. Hubbard, William Jr. Teory for Practice Architecture in Tree Discourses. Cambridge (Mas.), 1996.
100. Harbison, Robert. Tirteen Ways: Teoretical Investigations in Architecture. Cambridge (Mas.), 1997.
101. Hearn, Fil. Ideas Tat Shaped Buildings. Cambridge (Mas.), 2003.
102. Heynen, Hilde. Architecture and Modernity: a Critique. Cambridge (Mas.), 1993.
103. Hill, Richard. Designs and Teir Consequences: Architecture and Aesthetics. New Haven – London, 1999.
104. Ingraham, Catherine. Architecture and the Burdens of Linearity. New Haven-London, 1998.
105. Ingraham, Catherine. Architecture, Animal, Human: Te Asymmetrical Condition. London, 2005.
106. Jencks, Charles and Karl Kropf (eds.). Teories and Manifestoes of Contemporary Architecture. New York, 1997.
107. Johnson, Paul-Alan. Te Teory of Architecture: Concepts, Temes and Practices. New York, 1994.
108. Jonathan Hill (ed.). Architecture: Te Subject Is Matter. London, 2000.
109. Jormakka, Kari. Heimlich Manœuvers. Ritual in Architectural Form. Weimar, 1995.
110. Krier, Leon. Architecture: Choice Or Fate. London, 1998.
111. Kwinter, Sanford. Architectures of Time: Toward a Teory of the Event in Modernist Culture. Cambridge (Mas.), 2002.
112. Leach, Neil. Te Anaesthetics of Architecture. Chicago, 2000.
113. Lynch, Kevin. What Time is Tis Place? Cambridge (Mas.), 1972.
114. Mitchell William J. Te Logic of Architecture: Design, Computation, and Cognition. Cambridge (Mas.), 1990.
115. Noever, Peter (ed.). Architecture in Transition: Between Deconstruction and New Modernism. München, 1991.
116. Pevsner, Nikolaus, Richards, J.M. and Sharp, Dennis. Anti-rationalists and the Rationalists [1972, 1978]. Oxford, 2000.
117. Pahl, Jurgen. Architekturtheorie des 20. Jahrhunderts: Zeit-Räume. München; 1999.
118. Papadakis, Andreas. Te End of Innovation in Architecture. London, 1998.
119. Perelmann, Marc. Construction du corps. Fabrique de l’architecture Figures, histoire, spectacle. Paris, 1994.
120. Perez-Gomez, Alberto. Architecture and the Crisis of Modern Science. New York, 1985.
121. Pevsner, Nikolaus. Sources of Modern Architecture and Design. London, 1968.
122. Picon, Antoine; Ponte, Alessandra (eds.). Architecture and the Sciences: Exchanging Metaphors. Princeton, 2003.
123. Piotrowski, Andrzej and Robinson, Julia Williams. Te Discipline of Architecture. Minneapolis, 2001.
124. Rudofsky, Bernard. Architecture without Architects: a Short Introduction to Non-Pedigreed Architecture. Albuquerque, 2001.
125. Rybczynski, Witold. Te Look of Architecture. New York, 2003.
126. Saarinen, E. Te Search for Form in Art and Architecture [1950]. New York, 1985.
127. Sauter, Florian, Mateo, Josep Lluis (Eds.). Natural Metaphor. An Antology of Essays on Architecture and Nature. Barcelona – New York. 2007.
128. Schafer, Debra. Te Order of Ornament. Te Structure of Style: Teoretical Foundations of Modern Art and Architecture. Cambridge, 2003.
129. Scruton, Roger. Te Aesthetics of Architecture. Princeton, 1996.
130. Siegel, Kurt. Strukturformen der modernen Architektur. Stuttgart, 1960 (русск. пер.: М., 1963).
131. Stansfeld-Smith, Colin, Conway, Hazel, and Roenisch, Rowan. Understanding Architecture: An Introduction to Architecture and Architectural History. London, 1994.
132. Teymur, Necdet. Re-architecture: Temes and Variations. Liverpool, 2002.
133. Transparences. Sous la direction de Pascale Dubus, Maître de conferences à l’Université Paris I. Textes de Maurice Brock, Claude Frontisi, Jean-Pierre Gref, Michel Makarius, Tierry Paquot, Marc Perelman, Emmanuel Saulnier et Anca Vasiliu. Paris, 1998.
134. Tschumi, Bernard. Architecture and Disjunction. Cambridge (Mas.), London., 1996.
135. Unwin, Simon. Analysing Architecture. London, 1997.
136. Venturi, Robert. Complexity and Contradiction in Architecture [1966]. New York, 1977.